Leonard Cohen sang 'There's a crack in everything ... that's how the light gets in.' Here, Carolyn Kane teaches us how to see that light, one crack at a time.--Fred Turner, author of The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties Kane profiles art practices and media discourses that exploit and celebrate, rather than filter or suppress, all kinds of errors and noises. A welcome intervention in a number of discursive fields.--Peter Krapp, author of Noise Channels: Glitch and Error in Digital Culture An original work of scholarship that addresses some of the most pervasive phenomena and foundational questions in the contemporary media environment.--Robert Hariman, coauthor of The Public Image: Photography and Civic Spectatorship
