Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor.
Ik heb een vraag over het boek: ‘Movement Training for the Modern Actor - Evans, Mark (Coventry University’.
Vul het onderstaande formulier in.
We zullen zo spoedig mogelijk antwoorden.
