The standard analytical category of national cinema has been called into question by the category of the transnational. This work examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation states.
Ik heb een vraag over het boek:
‘World Cinemas, Transnational Perspectives - ’.
Vul het onderstaande formulier in.
We zullen zo spoedig mogelijk antwoorden.
