The zany, the cute, and the interesting saturate postmodern culture, dominating the look of its art and commodities as well as our ways of speaking about the ambivalent feelings these objects often inspire. In this study Ngai offers an aesthetic theory for the hypercommodified, mass-mediated, performance-driven world of late capitalism.
Ik heb een vraag over het boek: ‘Our Aesthetic Categories - Ngai, Sianne’.
Vul het onderstaande formulier in.
We zullen zo spoedig mogelijk antwoorden.
