Begins by tracing the prop’s curious but unacknowledged role in film theory, before proceeding to a series of theoretical speculations and close readings that bring the prop into focus. Gorfinkel and Rhodes argue that the prop is nothing less than a condensation of how labor, subjection, value, and instrumentality underwrite the very conditions of cinema.
Ik heb een vraag over het boek:
‘The Prop - Gorfinkel, Elena, Rhodes, John David’.
Vul het onderstaande formulier in.
We zullen zo spoedig mogelijk antwoorden.
