Worringer's classic study argues that in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform them into absolute, transcendental forms. With an introduction by Hilton Kramer. Introduction
vii(8)
Hilton Kramer
Foreword to the New Impression, 1948
xv(6)
Foreword to the First Edition
xxi(1)
Foreword to the Third Edition
xxii
I. THEORETICAL SECTION
3(48)
1. Abstraction and Empathy
3(23)
2. Naturalism and Style
26(25)
II. PRACTICAL SECTION
51(71)
3. Ornament
51(27)
4. Selected Examples from Architecture and Sculpture from the Viewpoints of Abstraction and Empathy
78(28)
5. Northern Pre-Renaissance Art
106(16)
Appendix: Transcendence and Immanence in Art
122(14)
Notes
136(5)
Index
141
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