State Censorship and South Korea's Cold War Film Culture
Omschrijving
Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship.
Ik heb een vraag over het boek:
‘Cinema Under National Reconstruction - Chung, Hye Seung’.
Vul het onderstaande formulier in.
We zullen zo spoedig mogelijk antwoorden.
