The Popular Music Studies Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes. Notes on editors xi Notes on contributors xiii Acknowledgements xix Introduction 1(10) Andy Bennett Barry Shank Jason Toynbee PART ONE MUSIC AS SOUND, MUSIC AS TEXT Introduction to Part One 11(4) Barry Shank In the Groove or Blowing Your Mind?: The Pleasures of Musical Repetition 15(6) Richard Middleton This is not a Story My People Tell: Musical Time and Space According to Laurie Anderson 21(8) Susan McClary `Home is Living Like a Man on the Run': John Cale's Welsh Atlantic 29(7) Dai Griffiths Family Values in Music?: Billie Holiday's and Bing Crosby's `I'll be Seeing You' 36(8) David Brackett Subjectivity and Soundscape, Motorbikes and Music 44(13) Philip Tagg PART TWO MAKING MUSIC Introduction to Part Two 53(4) Barry Shank Little Girl Blue 57(7) Alice Echols Black Sound, Black Body: Jimi Hendrix, the Electric Guitar, and the Meanings of Blackness 64(7) Steve Waksman Making up and Showing Off: What Musicians Do 71(7) Jason Toynbee War in the Jungle 78(7) Simon Reynolds Liveness: Performance and the Anxiety of Simulation 85(14) Philip Auslander PART THREE SUBCULTURES, SCENES AND TRIBES Introduction to Part Three 95(4) Andy Bennett Understanding Hipness: `Subcultural Capital' as Feminist Tool 99(7) Sarah Thornton Subcultures or Neotribes?: Rethinking the Relationship Between Youth, Style and Musical Taste 106(8) Andy Bennett Punk Rock at Raul's: The Performance of Contradiction 114(7) Barry Shank Rules of Rebellion: Slamdancing, Moshing and the American Alternative Scene 121(7) William Tsitsos `Roots'?: The Relationship Between the Global and the Local Within the Extreme Metal Scene 128(13) Keith Kahn-Harris PART FOUR POPULAR MUSIC AND EVERYDAY LIFE Introduction to Part Four 137(4) Andy Bennett Music and Self-Identity 141(7) Tia DeNora Filmic Cities: The Aesthetic Experience of the Personal-Stereo User 148(8) Michael Bull `Beautiful Music': The Rise of Easy-Listening FM 156(8) Joseph Lanza Scanning: Aether Talk 164(15) David Toop PART FIVE MUSICAL DIASPORAS Introduction to Part Five 175(4) Barry Shank ``'Jewels Brought from Bondage': Black Music and the Politics of Authenticity'' 179(8) Paul Gilroy Zouk and the Isles of the Caribees 187(7) Jocelyne Guilbault The Local and Global in North African Popular Music 194(7) Tony Langlois Asian Kool?: Bhangra and Beyond 201(7) Rupa Huq Technobanda and the Politics of Identity 208(8) Helena Simonett Voices from the Margins: Rap Music and Contemporary Cultural Production 216(15) Tricia Rose PART SIX MUSIC INDUSTRY Introduction to Part Six 227(4) Jason Toynbee The Industrialization of Music 231(8) Simon Frith Musicians in Hollywood: Work and Technological Change in Entertainment Industries, 1926--1940 239(7) James P. Kraft The British Dance Music Industry: A Case Study of Independent Cultural Production 246(7) David Hesmondhalgh Profiting from Creativity? The Music Industry in Stockholm, Sweden and Kingston, Jamaica 253(16) Dominic Power Daniel Hallencreutz PART SEVEN POPULAR MUSIC AND TECHNOLOGY Introduction to Part Seven 265(4) Jason Toynbee The Material Heterogeneity of Recorded Sound 269(7) Rick Altman Rationalization and Democratization in the New Technologies of Popular Music 276(7) Andrew Goodwin Music/Technology/Practice: Musical Knowledge in Action 283(9) Paul Theberge Futurhythmachine: [An Interview with Kodwo Eshun] 292(3) Kodwo Eshun Home on the Page: A Virtual Place of Music Community 295(14) Marjorie D. Kibby PART EIGHT POPULAR MUSIC MEDIA Introduction to Part Eight 305(4) Andy Bennett Commercial Radio and Popular Music: Processes of Selection and Factors of Influence 309(8) Eric W. Rothenbuhler Tom McCourt `Yo Quiero MI MTV!': Making Music Television for Latin America 317(9) Bob Hanke Popular Songs and Comic Allusion in Contemporary Cinema 326(7) Jeff Smith Anglo-American Music Journalism: Texts and Contexts 333(14) Dave Laing PART NINE POPULAR MUSIC, GENDER AND SEXUALITY Introduction to Part Nine 343(4) Jason Toynbee Women Making Music: Some Material Constraints 347(8) Mavis Bayton Smells Like Teen Spirit: Riot Grrrls, Revolution, and Women in Independent Rock 355(7) Joanne Gottlieb Gayle Wald Rethinking Issues of Gender and Sexuality in Led Zeppelin: A Woman's View of Pleasure and Power in Hard Rock 362(8) Susan Fast Women and the Early British Rave Scene 370(7) Maria Pini Housewives' Choice: Female Fans and Unmanly Men 377(5) Richard Smith References 382(14) Index 396