Prosaics, the Play of Culture and Social Identities
Omschrijving
Aesthetic studies have traditionally been confined to the analysis of art and beauty. This book analyzes common situations in contexts such as the family, school, religion, medical and funerary traditions to detect the aesthetic strategies by which these practices acquire significance. List of Tables
x
Glossary
xi
Preface
xv
Acknowledgement
xviii
PART 1 THE LABYRINTHS OF AESTHETICS
1(42)
The Problems of Aesthetics
3(4)
Problems of definition
3(1)
Problems of location
3(2)
Problems of distinction
5(2)
The Fetishes of Aesthetics
7(8)
The fetish of beauty
7(1)
The fetish of the artwork
8(2)
The fetish of the aesthetic object
10(5)
The Myths of Aesthetics
15(22)
The myth of the opposition art/reality and aesthetics/everyday life
15(2)
The myth of aesthetic disinterest
17(2)
The myth of aesthetic distance
19(3)
The myth of the aesthetic attitude
22(2)
The myth of aesthetic aspects or qualities
24(2)
The myth of the universality of beauty
26(1)
The myth of the opposition between the aesthetic and the intellectual
27(2)
The myth of the synonymity of art and aesthetics
29(1)
The myth of the aesthetic potentiality of artworks
30(1)
The myth of the aesthetic experience
31(6)
The Fears of Aesthetics
37(6)
The fear of the undesirable
37(1)
The fear of everyday impurities
38(1)
The fear of psychologism
39(1)
The fear of the immoral
40(3)
PART 2 ON AESTHESIS
43(30)
Demarcating Aesthetics
45(8)
A genealogical perspective for a bio-aesthetics
47(2)
Bio-aesthetics
49(1)
Socio-aesthetics
50(3)
Basic Categories for Aesthetic Analysis
53(8)
Aesthetic subject and aesthetic object
53(2)
Objectivity, objectuality, and objectivation
55(2)
Subjectivity, individuality, identity, role
57(4)
Conditions of Possibility of Aesthesis: The A Priori
61(6)
Space-time
61(1)
The body
62(1)
Vital energy
63(1)
Cultural conventions
64(3)
The Phenomenology of Aesthesis: Aesthetic Latching-On and Latched-By
67(6)
PART 3 TOWARDS PROSAICS
73(28)
Prosaics and panaestheticism
73(2)
Prosaics and Poetics
75(6)
Poesics and prosics
79(2)
The Tangents of Prosaics
81(6)
The Nutrients of Prosaics
87(6)
Mikhail Bakhtin
87(1)
John Dewey
88(2)
Johan Huizinga
90(3)
The Play of Culture
93(4)
Categorization of games by Caillois
94(3)
The Horizons of Prosaics
97(4)
PART 4 SEMIO-AESTHETICS
101(34)
Semio-aesthetics and aesthesio-semiotics
101(4)
Thresholds of Semiotic Perception: Sensation, Discernment and Regard
105(4)
The Axis of the Signic
109(6)
Signifier
111(1)
Signified
112(3)
The Axis of the Symbolic
115(4)
Comparative View of Both Axes: The Symbolic and the Signic
119(6)
The Non-Axis of the Obtuse
125(2)
Beyond Semiosis to Aesthesis
127(4)
Aesthetic Enunciation and its Dialogical Character
131(4)
Aesthetic syntagm and paradigm
133(2)
PART 5 OCTADIC MODEL FOR AESTHETIC ANALYSIS
135(42)
The projection of the semiotic axes to the aesthetic
136(3)
Rhetoric and its Registers
139(10)
Lexic register
142(1)
Acoustic register
143(1)
Somatic register
144(2)
Scopic register
146(3)
Dramatics and its Modalities
149(6)
Proxemics
149(2)
Kinetics
151(1)
Emphatics
152(1)
Fluxion
152(3)
The Rhetoric-Dramatic Coupling
155(14)
Lexic proxemics
155(1)
Acoustic proxemics
156(1)
Somatic proxemics
156(1)
Scopic proxemics
157(1)
Lexic kinetics
157(1)
Acoustic kinetics
158(1)
Somatic kinetics
158(1)
Scopic kinetics
158(1)
Lexic emphatics
159(1)
Acoustic emphatics
160(1)
Somatic emphatics
161(1)
Scopic emphatics
161(1)
Lexic fluxion
162(1)
Acoustic fluxion
163(1)
Somatic fluxion
164(1)
Scopic fluxion
164(5)
Con-Formations of the Rhetoric-Dramatic Coupling
169(8)
Heteroglossia
170(2)
Polyphony
172(1)
Hybridization
173(1)
Ex-pression, im-pression, com-pression, de-pression
173(4)
PART 6 MATRIXES AND IDENTITIES
177(118)
The Matrixes: A General Approach
179(6)
Matrixes and paradigms
182(3)
Diachronic and Synchronic Perspective of Cultural Matrixes
185(10)
Diachronic perspective of the matrixes
186(1)
Synchronic perspective of the matrixes
187(8)
The Family Matrix
195(10)
The registers of rhetorics in the family matrix
196(2)
The modalities of the dramatic in the family matrix
198(1)
Family proxemics
198(1)
Family kinetics
199(1)
Family emphatics
200(1)
Family fluxion
201(2)
Paradigmatic projections in the family matrix
203(2)
The Religion Matrix
205(32)
Judaic religious matrix
207(6)
Christian religious matrix
213(6)
Islamic religious matrix
219(7)
A parallel approach to dramatics in the religious matrix
226(7)
Religious fluxion
233(1)
Final considerations of the religious matrix
234(1)
Paradigmatic projection of and in the religious matrix
235(2)
The School Matrix
237(10)
School rhetorics
238(1)
School dramatics
239(7)
Paradigmatic projection of the school matrix
246(1)
The Medical Matrix
247(10)
Medical rhetorics
247(3)
Medical dramatics
250(2)
Medical emphatics
252(3)
Paradigmatic projection in and from the medical matrix
255(2)
The Occultist Matrix
257(12)
Occultist rhetorics
258(3)
Occultist dramatics
261(5)
Paradigmatic projection in the occultist matrix
266(3)
The Arts Matrix
269(26)
The registers of the rhetoric in the artistic matrix
273(10)
Modalities of artistic dramatics
283(10)
Paradigm projections related to the artistic matrix
293(2)
Conclusions Matricial Symbols and Aesthetic Games
295(6)
References
301(12)
Index
313