In this book, one of Italy's most important and original contemporary philosophers considers the status of art in the modern era. He probes the meaning and historical consequences of the indefinite continuation of art in what Hegel called a self-annulling mode, in the process offering an imaginative reinterpretation of the history of aesthetics from Kant to Heidegger. Translator's Note
xi
The Most Uncanny Thing
1(7)
Frenhofer and His Double
8(5)
The Man of Taste and the Dialectic of the Split
13(15)
The Cabinet of Wonder
28(12)
``Les jugements sur la poesie ont plus de valeur que la poesie''
40(12)
A Self-Annihilating Nothing
52(7)
Privation Is Like a Face
59(9)
Poiesis and Praxis
68(26)
The Original Structure of the Work of Art
94(10)
The Melancholy Angel
104(15)
Notes
119
Ik heb een vraag over het boek: ‘The Man Without Content - Agamben, Giorgio’.
Vul het onderstaande formulier in.
We zullen zo spoedig mogelijk antwoorden.
