Omschrijving
Folklore provides a metaphor for insecurity in British women's writing published between 1750 and 1880. When characters feel uneasy about separations between races, classes, or sexes, they speak of mermaids and «Cinderella» to make threatening women unreal and thus harmless. Because supernatural creatures change constantly, a name or story from folklore merely reinforces fears about empire, labor, and desire. To illustrate these fascinating rhetorical strategies, this book explores works by Sarah Fielding, Ann Radcliffe, Sydney Owenson, Charlotte Brontë, George Eliot, Anne Thackeray, and Jean Ingelow, pushing our understanding of allusions to folktales, fairy tales, and myths beyond «happily ever after.» Folklore provides a metaphor for insecurity in British women's writing published between 1750 and 1880. When characters feel uneasy about separations between races, classes, or sexes, they speak of mermaids and «Cinderella» to make threatening women unreal and thus harmless. Because supernatural creatures change constantly, a name or story from folklore merely reinforces fears about empire, labor, and desire. To illustrate these fascinating rhetorical strategies, this book explores works by Sarah Fielding, Ann Radcliffe, Sydney Owenson, Charlotte Brontë, George Eliot, Anne Thackeray, and Jean Ingelow, pushing our understanding of allusions to folktales, fairy tales, and myths beyond «happily ever after.» List of Figures
ix
Acknowledgments
xi
Chapter One. Folklore as a Critical Tool
1(22)
What's in a Name? The Difficulty of Defining the Fairy Folk
3(7)
British Anxieties and Others, 1750-1880
10(4)
Method: Uniting Feminist Criticism, Folklore, and Cultural Concerns
14(5)
Readings in British Women's Fiction
19(4)
Chapter Two. "Things Totally Out of Nature": Fairies and Fairy Tales in Eighteenth-Century Fiction
23(22)
"Innocent Diversions": Fairy Tales in Fielding's The Governess
27(7)
Fairies and the Female Condition in The Mysteries of Udolpho
34(11)
Chapter Three. "Syren Lure": Folklore as National Rhetoric in The Wild Irish Girl
45(18)
Horatio's Irish Fairy
47(8)
"My English Ossian"
55(8)
Chapter Four. Governesses, Émigrés, and Fairies: Implications of Folklore in the Novels of Charlotte Brontë
63(34)
Jane Eyre, Fairy Tale, Folktale: A Close Reading
66(11)
Shirley: Folklore between Female Friends
77(7)
Villette: Folklore Goes to the Continent
84(13)
Chapter Five. George Eliot's English Water?Nixies and Sad?Eyed Princesses
97(22)
Maggie and Folklore on the Floss
99(6)
The Mermaid of Middlemarch
105(4)
Daniel Deronda's Demonic (un)Englishwomen
109(10)
Chapter Six. Domesticating the Fairy Realm: Anne Thackeray and Jean Ingelow
119(26)
The Magic of English Living According to Thackeray
121(11)
Captain Jack Forced from Fairyland
132(13)
Afterword
145(4)
Notes
149(14)
Works Cited
163(10)
Index
173