This critical anthology presents original scholarship and materials about the prominent dramatist and concentration camp memoir writer Elsa Porges-Bernstein (1866-1949). The individual scholarly contributions provide new insights into the issue of multiple identity and allegiance in the first half of the twentieth century. Bernstein was a Germanophile and, according to Nazi ideology, a Jew; she also assumed the traditional roles of mother and housewife; finally, she was a feminist and a socialite related to the Wagner family. The complexity and conflictedness of Elsa Porges-Bernstein appeals to contemporary audiences, as evidenced by the 2002 revival of her play Maria Arndt, in Chicago. This critical anthology presents original scholarship and materials about the prominent dramatist and concentration camp memoir writer Elsa Porges-Bernstein (1866-1949). The individual scholarly contributions provide new insights into the issue of multiple identity and allegiance in the first half of the twentieth century. Bernstein was a Germanophile and, according to Nazi ideology, a Jew; she also assumed the traditional roles of mother and housewife; finally, she was a feminist and a socialite related to the Wagner family. The complexity and conflictedness of Elsa Porges-Bernstein appeals to contemporary audiences, as evidenced by the 2002 revival of her play Maria Arndt, in Chicago.