Pablo Picasso, Hans Bellmer, Balthus, and Joseph Cornell Psychobiographical Studies with Attachment Theory
Omschrijving
Desire and Avoidance in Art argues that while early developmental traumas can produce life-long creative endeavors with striking aesthetic results, they may also, for the male artist, result in destructive relations with women. Brink introduces the scheme of personality formation - as found in the work on infant and child development of John Bowlby, Mary Ainsworth, Mary Main, Patricia Crittenden, Allen N. Schore, and others - to explore a new venture in psychobiography. He effectively uses the concept of «anxious attachment» to describe mother-infant/child relations and their sequelae. Using pertinent developmental data found in each artist's childhood, Andrew Brink accounts for the anxious-avoidant attachment style (or, in Crittenden's terminology, the Anxious/Controlling style) from which these artists suffered. He aims to explain why partnerships with women are sometimes hazardous and frequently tragic for male artists by referencing various feminist writers. Based on their viewpoints, Brink extracts psychodynamic explanations that are largely based on what the artists' imagery reveals. Furthermore, he explains how the attachment theory of attraction-avoidance is shown to supplement and enrich other ways of understanding chronically tense relations between the sexes. Brink focuses his attention on artists such as Picasso, Bellmer, Balthus, and Cornell, who are culturally powerful and often stimulate discussion about misogynic figures within a social context. List of Illustrations
vii
Acknowledgments
ix
Introducing Attachment Theory
1(24)
Too Close: Picasso's Adoring and Damaging Portraits of Women
25(52)
Hans Bellmer's Sacrificial Dolls
77(28)
Desire and Avoidance in the Paintings of Balthus
105(34)
Joseph Cornell: Avoidance and Enchantment
139(42)
An Impossible Quest: Male Artists Avoiding Women
181(14)
Selected Bibliography
195(6)
Index
201
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