Shedding light on a relatively neglected yet demonstrably crucial concern for dramatists in Elizabethan and Jacobean England, this is the first monograph to explain the central role that the performance of the will – as both faculty of the soul and legal document – took in English Renaissance drama.
Ik heb een vraag over het boek:
‘The Will in English Renaissance Drama - Clark, Douglas (University of Oxford)’.
Vul het onderstaande formulier in.
We zullen zo spoedig mogelijk antwoorden.
