This Element explores Jacques Derrida's concept of 'hauntology' and its connection to experimental music. Focusing on the 1960s, it examines how composers like John Cage and Luigi Nono used records and tape in composition. The Element delves into lost futures, past usage and the future implications of hauntological music.
Ik heb een vraag over het boek:
‘Cage, Nono and 1960s Hauntology - Lesser, Clare’.
Vul het onderstaande formulier in.
We zullen zo spoedig mogelijk antwoorden.
