Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany Alastair Williams provides the first English-language overview of Helmut Lachenmann and Wolfgang Rihm, and considers established figures such as Henze, Kagel and Stockhausen. The book goes on to reveal the impact of the 1968 social movements on music, assesses the renewal of tradition, and addresses the significance of German reunification.
Ik heb een vraag over het boek: ‘Music in Germany since 1968 - Williams, Alastair (Keele University)’.
Vul het onderstaande formulier in.
We zullen zo spoedig mogelijk antwoorden.
