Foreword vi Preface vii Acknowledgments ix Editor's Note xi 1851-1875 1852: Henry Cole, "On the International Results of the Exhibition of 1851" 3(8) 1852: Horatio Greenough, "The Law of Adaptation" 11(3) 1853: John Ruskin, "The Nature of Gothic" 14(5) 1856: Owen Jones, Grammar of Ornament 19(3) 1867: Karl Marx, "The Capitalist Character of Manufacture" 22(3) 1868: Charles Eastlake, Hints on Household Taste 25(3) 1873: Christopher Dresser, Principles of Decorative Design 28(7) 1876-1900 1877: William Morris, "The Lesser Arts" 35(5) 1882: Lewis Foreman Day, "To Ladies and Amateurs" 40(4) 1893: Candace Wheeler, "Decorative and Applied Art" 44(3) 1897: Henry van de Velde, "A Chapter on the Design and Construction of Modern Furniture" 47(2) 1899: Thorstein Veblen, "Pecuniary Canons of Taste" 49(6) 1901-1925 1901: Frank Lloyd Wright, "The Art and Craft of the Machine" 55(6) 1905: Josef Hoffmann and Koloman Moser, "The Work-Program of the Wiener Werkstätte" 61(3) 1908: C.R. Ashbee, Craftsmanship in Competitive Industry 64(6) 1909: Filippo Tommaso Marinetri, "The Foundation and Manifesto of Futurism" 70(4) 1910: Adolf Loos, "Ornament and Crime" 74(8) 1911: Hermann Muthesius, "Aims of the Werkbund" 82(2) 1911: Frederick Winslow Taylor, The Principles of Scientific Management 84(4) 1914: Hermann Muthesius and Henry van de Velde, Statements from the Werkbund Conference of 1914 88(4) 1919: Christine Frederick, "The Labor-Saving Kitchen" 92(5) 1919: Walter Gropius, "Program of the Staatliche Bauhaus in Weimar" 97(4) 1922: Theo van Doesburg, "The Will to Style" 101(3) 1922: Alexander Rodchenko and Varvara Stepanova, "Program of the First Working Group of Constructivists" 104(2) 1923: Le Corbusier, "Eyes Which Do Not See: Automobiles" 106(7) 1925: Helen Appleton Read, "The Exposition in Paris" 113(8) 1926-1950 1928: Henry Ford, "Machinery, The New Messiah" 121(2) 1930: Fortune, "Color in Industry" 123(2) 1930: Sigmund Freud, Civilization and Its Discontents 125(4) 1932: Earnest Elmo Calkins, "What Consumer Engineering Really Is" 129(3) 1934: Alfred H. Barr, Jr. and Philip Johnson, Machine Art 132(3) 1934: Norman Bel Geddes, "Streamlining" 135(2) 1935: Marcy Babbitt, "As a Woman Sees Design: An Interview with Belle Kogan" 137(3) 1936: Fortune, "What Man Has Joined Together ..." 140(2) 1940: Harold Van Doren, "The Designer's Place in Industry" 142(2) 1941: Eliot Noyes, Organic Design in Home Furnishings 144(2) 1950: Edgar Kaufmann, Jr., What is Modern Design? 146(9) 1951-1975 1951: Raymond Loewy, "The MAYA Stage" 155(4) 1953: Dwight D. Eisenhower, "Peaceful Uses of Atomic Energy" 159(3) 1955: Henry Dreyfuss, "Joe and Josephine" 162(7) 1958: Program of the Hochschule für Gestaltung, Ulm 169(3) 1959: Richard Nixon and Nikita Khrushchev, "The Kitchen Debate" 172(3) 1963: Ann Ferebee, "Is Industrial Design Color Blind?" 175(2) 1964: Edward Carpenter, "Statement: The Designing Women" 177(4) 1965: Ralph Nader, Unsafe at Any Speed 181(3) 1966: Robert Venturi, Complexity and Contradiction in Architecture 184(2) 1969: R. Buckminster Fuller, Operating Manual for Spaceship Earth 186(2) 1971: Victor Papanek, Design for the Real World 188(3) 1973: Richard Nixon, "Address to the Nation About Policies To Deal With the Energy Shortages" 191(8) 1976-2000 1976: Alexander Kira, "Historical Aspects of Personal Hygiene Facilities" 199(2) 1984: Klaus Krippendorff and Reinharr Butter, "Product Semantics: Exploring the Symbolic Qualities of Form" 201(3) 1984: Barbara Radice, "Memphis and Fashion" 204(4) 1984: Dieter Rams, "Omit the Unimportant" 208(3) 1985: The Japan Management Association, "Just-In-Time at Toyota" 211(3) 1988: C. Thomas Mitchell, "The Product As Illusion" 214(1) 1990: Americans With Disabilities Act (U.S. Public Law 101-336) 215(2) 1991: Kenichi Ohmae, "Global Products" 217(3) 1992: David H. Rice, "What Color Is Design?" 220(3) 1996: Charles Jencks, "The Post-Modern Information World an the Rise of the Cognitariat" 223(4) 1998: Kenji Ekuan, "Japanese Aesthetics" 227(2) 1999: Hartmut Enslinger, "Frog Stands For ..." 229(1) 1999: Donald Norman, "Time for a Change: Design in the Post-Disciplinary Era" 230(3) Index 233