An examination of the role and meaning of the enemy image in the complex history and contested borders that shaped the countries of former Yugoslavia. The complex history and contested borders that shaped the countries of former Yugoslavia provide the stage on which Croatian-born Lana Mesic´ (NL) weaves new, personal narratives, examining the role and meaning of the enemy image in her fragmented childhood and how this history echoes upon this day. In light of recent political developments in Europe, the book encourages us to reflect on our own experiences. By bringing these to light, it helps to counter the nationalist narratives that dominate today’s political landscape. When you point a finger, three are pointing back is composed of photographs, newspaper clippings, television clips, rumours, whispered conversations, written stories, and meticulously crafted relics made from matches and matchboxes. The complex history and contested borders that shaped the countries of former Yugoslavia provide the stage on which Croatian-born Lana Mesic´ (NL) weaves new, personal narratives, examining the role and meaning of the enemy image in her fragmented childhood and how this history echoes upon this day. In light of recent political developments in Europe, the book encourages us to reflect on our own experiences. By bringing these to light, it helps to counter the nationalist narratives that dominate today’s political landscape. When you point a finger, three are pointing back is composed of photographs, newspaper clippings, television clips, rumours, whispered conversations, written stories, and meticulously crafted relics made from matches and matchboxes.